"The Gift of the Magi: Scene 1: Della, I have something Left to be done (Jim, Della)" by David Conte, Aimée Puentes, Tim Krol, San Francisco New Music Ensemble, Nicole Paiement was released on March 1, 2015. With this song being about 5 minutes long, at 4:53, "The Gift of the Magi: Scene 1: Della, I have something Left to be done (Jim, Della)" by David Conte, Aimée Puentes, Tim Krol, San Francisco New Music Ensemble, Nicole Paiement is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 28 in Conte: The Gift of the Magi by David Conte, Aimée Puentes, Elena Bocharova, Tim Krol, Chad Runyon, Nicole Paiement. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Gift of the Magi: Scene 1: Della, I have something Left to be done (Jim, Della) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Gift of the Magi: Scene 1: Della, I have something Left to be done (Jim, Della) by David Conte, Aimée Puentes, Tim Krol, San Francisco New Music Ensemble, Nicole Paiement is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Ut re mi fa sol la (Hexachord Mass): II. Gloria | Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers | B♭ Major | 2 | 6B | 124 BPM | ||
Stabat Mater: O quam tristis et afflicta | Zuzanna Koziej, Agnieszka Frankow-Zelazny, NFM Choir | E Minor | 4 | 9A | 200 BPM | ||
Nien, Geliebter, Setze Dich | Georg Friedrich Daumer, Johannes Brahms, One Voice Mixed Chorus, Jane Ramseyer Miller | E Major | 0 | 12B | 86 BPM | ||
En Sommarafton | Zero8, Rasmus Krigström | B Major | 1 | 1B | 137 BPM | ||
I Beheld Her Beautiful as a Dove | Healey Willan, Choir of Jesus College, Cambridge, Mark Williams | D♭ Minor | 1 | 12A | 75 BPM | ||
Ave Maria | David Conte, Christ Church Schola Cantorum, Rochester Philharmonic Brass, Stephen Kennedy | E Major | 1 | 12B | 136 BPM | ||
Requiem Novum: VII. Eternal Rest | Mårten Jansson, Anna Dennis, Barnaby Smith, Philharmonia Orchestra | F Major | 3 | 7B | 69 BPM | ||
Firebird Motel: Scene 4: A Shot in the Dark: That was the last time I saw her (Corina, Nova) | David Conte, Shawnette Sulker, Milissa Carey, San Francisco Conservatory Chamber Ensemble, Jeffrey Thomas | D Major | 1 | 10B | 78 BPM | ||
Considering Matthew Shepard: Epilogue, 33. Cattle, Horses, Sky and Grass (Reprise) | Craig Hella Johnson, Conspirare | F Major | 0 | 7B | 112 BPM | ||
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM |
Section: 0.5205309391021729
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