"Concerto for Violoncello and Orchestra in C major, WD 646: II." by Giovanni Benedetto Platti, Sol Gabetta, Andrés Gabetta was released on 2007. The duration of Concerto for Violoncello and Orchestra in C major, WD 646: II. is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Concerto for Violoncello and Orchestra in C major, WD 646: II.'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sol Gabetta's "Il Progetto Vivaldi 1-3" album is number 5 out of 66. In terms of popularity, Concerto for Violoncello and Orchestra in C major, WD 646: II. is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Violoncello and Orchestra in C major, WD 646: II. by Giovanni Benedetto Platti, Sol Gabetta, Andrés Gabetta to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
Flute Sonata in G Major, Op. 3 No. 6: IV. Arietta con variazioni. Non tanto allegro | Giovanni Benedetto Platti, Alexa Raine-Wright, Camille Paquette-Roy, Sylvain Bergeron, Rona Nadler | F♯ Major | 1 | 2B | 81 BPM | ||
Magnificat in D Major, BWV 243: Et misericordia eius | Johann Sebastian Bach, Gérard Lesne, Howard Crook, Philippe Herreweghe, La Chapelle Royale | E♭ Minor | 0 | 2A | 107 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Ouverture | Cologne Chamber Orchestra | A Minor | 2 | 8A | 91 BPM | ||
Cello Sonata No. 12 in F Major, I.88: I. Largho | Giovanni Benedetto Platti, Members of L'Arte dell'Arco, Francesco Galligioni | C Major | 1 | 8B | 75 BPM | ||
Pieces de clavecin: Suite in E Minor: III. Gigue en rondeau I | Jean-Philippe Rameau, Gilbert Rowland | E♭ Minor | 2 | 2A | 132 BPM |
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