"Tableaux d'une exposition, orchestration de Maurice Ravel: Promenade 1" by Modest Mussorgsky, Orchestre Philharmonique des Pays de Loire, Marc Soustrot was released on 1994. With Tableaux d'une exposition, orchestration de Maurice Ravel: Promenade 1 being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Modest Mussorgsky, Orchestre Philharmonique des Pays de Loire, Marc Soustrot's "Mousorgski : Une nuit sur le mont chauve - tableaux d'une exposition borodine : Dans les steppes d'asie centrale" album is number 2 out of 16. Tableaux d'une exposition, orchestration de Maurice Ravel: Promenade 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tableaux d'une exposition, orchestration de Maurice Ravel: Promenade 1 by Modest Mussorgsky, Orchestre Philharmonique des Pays de Loire, Marc Soustrot to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre | Frédéric Chopin, Martha Argerich | D Major | 7 | 10B | 172 BPM | ||
Hungarian Dance No.1 in G Minor, WoO 1 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | G Minor | 2 | 6A | 115 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): V. Danse finale | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
The Tale Of Tsar Saltan: The Flight Of the Bumble-Bee (Arr. by J. Strimer) | Nikolai Rimsky-Korsakov, Pierre Fournier, Lamar Crowson | A Minor | 2 | 8A | 87 BPM | ||
La chauve-souris : Ouverture | Johann Strauss II, Orchestre Symphonique De Radio-Télé-Luxembourg, Pierre Cao | B Minor | 2 | 10A | 80 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Fantaisie, Op.79 (Orch. Louis Aubert) | Gabriel Fauré, William Bennett, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 128 BPM | ||
Saint-Saëns: Le carnaval des animaux, R. 125: XIV. Final | Renaud Capuçon, Béatrice Muthelet, Emmanuel Pahud, Esther Hoppe, Florent Jodelet, Frank Braley, Gautier Capuçon, Janne Saksala, Paul Meyer | C Major | 4 | 8B | 103 BPM | ||
Carmen Suite No. 1: I. Prelude, Act 1 | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM |
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