"Fleug, Psyche, fleug" by Adam Krieger, Akademie für Alte Musik Berlin, Annette Dasch was released on June 7, 2011. Fleug, Psyche, fleug is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. The track order of this song in Annette Dasch, Akademie für Alte Musik Berlin's "German Baroque Lieder" album is number 5 out of 18. On top of that, France appears to be the country where this track was created. In terms of popularity, Fleug, Psyche, fleug is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fleug, Psyche, fleug by Adam Krieger, Akademie für Alte Musik Berlin, Annette Dasch to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tavener: Funeral Ikos | John Tavener, Choir of King's College, Cambridge, Stephen Cleobury | A♭ Major | 0 | 4B | 106 BPM | ||
Il giardino di rose: "Mentre io godo" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 111 BPM | ||
Les tendres plaintes | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 110 BPM | ||
Rosary Sonatas - Passagalia in G Minor, C. 105 "Guardian Angel" | Heinrich Ignaz Franz von Biber, Rachel Podger | F♯ Minor | 0 | 11A | 124 BPM | ||
Requiem, Op. 48: I. Introitus | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | D Minor | 0 | 7A | 131 BPM | ||
Couplets de folies (Arr. Horsch for Recorder & Lute) | Marin Marais, Lucie Horsch, Thomas Dunford | E♭ Minor | 1 | 2A | 84 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Magnificat in B flat major: Et misericordia | Francesco Durante, Bernhard Landauer, Thomas Hengelbrock | F♯ Minor | 0 | 11A | 78 BPM | ||
Der Liebe Macht herrscht Tag und Nacht | Adam Krieger, Ryland Angel, Ars Lyrica Houston | E♭ Major | 7 | 5B | 108 BPM | ||
BWV82: Aria: Ich habe genug | Johann Sebastian Bach, Lorraine Hunt Lieberson | D♭ Minor | 1 | 12A | 83 BPM |
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