"Rinaldo: Act II, scene 4: Almirena : "Lascia ch'io pianga"" by George Frideric Handel, Miah Persson, René Jacobs, Freiburger Barockorchester was released on March 24, 2003. Rinaldo: Act II, scene 4: Almirena : "Lascia ch'io pianga" is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Freiburger Barockorchester, René Jacobs, Vivica Genaux's "Handel. Rinaldo" album is number 14 out of 60. In terms of popularity, Rinaldo: Act II, scene 4: Almirena : "Lascia ch'io pianga" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rinaldo: Act II, scene 4: Almirena : "Lascia ch'io pianga" by George Frideric Handel, Miah Persson, René Jacobs, Freiburger Barockorchester to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: I. Vivace | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | D♭ Minor | 4 | 12A | 102 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | A♭ Minor | 3 | 1A | 73 BPM | ||
Requiem, Op. 48: V. Pie Jesu | Gabriel Fauré, Laurence Equilbey, Sandrine Piau, Orchestre National De France | B♭ Major | 1 | 6B | 85 BPM | ||
Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Danielle de Niese, Les Arts Florissants, William Christie | E Major | 1 | 12B | 87 BPM | ||
Monteverdi / Arr Pluhar: Zefiro torna e di soavi accenti, SV 251 | Claudio Monteverdi, Christina Pluhar, Núria Rial, Philippe Jaroussky | F Major | 2 | 7B | 117 BPM | ||
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Requiem, Op. 48: VIII. In Paradisum | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, La Maîtrise de Paris | D Major | 1 | 10B | 74 BPM | ||
Merope: Sposa, non mi conosci | Geminiano Giacomelli, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Minor | 0 | 9A | 114 BPM | ||
Vier Lieder, Op. 27, TrV 170: 4. Morgen | Richard Strauss, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM |
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