Erich Wolfgang Korngold, Eusebius Quartet, Beatrice Philips, Venetia Jollands, Hannah Shaw, Hannah Sloane's 'String Quartet No. 2 in E-Flat Major, Op. 26: IV. Waltz. Tempo di valse' came out on October 15, 2021. With this song being about 5 minutes long, at 5:20, "String Quartet No. 2 in E-Flat Major, Op. 26: IV. Waltz. Tempo di valse" by Erich Wolfgang Korngold, Eusebius Quartet, Beatrice Philips, Venetia Jollands, Hannah Shaw, Hannah Sloane is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Erich Wolfgang Korngold, Eusebius Quartet, Alasdair Beatson's "Korngold: Chamber Works" album is number 11 out of 11. On top of that, United Kingdom appears to be the country where this track was created. String Quartet No. 2 in E-Flat Major, Op. 26: IV. Waltz. Tempo di valse is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet No. 2 in E-Flat Major, Op. 26: IV. Waltz. Tempo di valse by Erich Wolfgang Korngold, Eusebius Quartet, Beatrice Philips, Venetia Jollands, Hannah Shaw, Hannah Sloane to be Lento (slowly) because the track has a tempo of 58 BPM, a half-time of 29BPM, and a double-time of 116 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Quintet in A Major: Clarinet Quintet in A Major: I. Allegro | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | A Major | 1 | 11B | 116 BPM | ||
Doña Maria And Capt. Thorpe / Elizabeth's Throne Room | Erich Wolfgang Korngold | C Major | 1 | 8B | 141 BPM | ||
Arensky: Variations on a Theme of Tchaikovsky, Op.35a: Theme. Moderato | Anton Arensky, Sir John Barbirolli, London Symphony Orchestra | B♭ Major | 2 | 6B | 92 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 105 BPM | ||
Das Wunder der Heliane / Act 2: Beschieden? | Erich Wolfgang Korngold, Reinhild Runkel, Hartmut Welker, Deutsches Symphonie-Orchester Berlin, John Mauceri | D♭ Minor | 3 | 12A | 86 BPM | ||
A Winter Idyll | Gustav Holst, Ulster Orchestra, Joann Falletta | E Major | 1 | 12B | 79 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM |
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