Wolfgang Amadeus Mozart, Adam Plachetka, Rolando Villazón, Alessandro Corbelli, Miah Persson, Angela Brower, Chamber Orchestra of Europe, Yannick Nézet-Séguin's 'Così fan tutte, K. 588 / Act I: "Non piangere, idol mio!"' came out on January 1, 2013. With Così fan tutte, K. 588 / Act I: "Non piangere, idol mio!" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Sam Cooke, Joy Denalane, Daniel Hope, Sylvia Thereza, Francesco Tristano, Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Adam Plachetka, Rolando Villazón, Mojca Erdmann, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin's "Mozart: Così fan tutte" album is number 12 out of 64. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Così fan tutte, K. 588 / Act I: "Non piangere, idol mio!"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Così fan tutte, K. 588 / Act I: "Non piangere, idol mio!" by Wolfgang Amadeus Mozart, Adam Plachetka, Rolando Villazón, Alessandro Corbelli, Miah Persson, Angela Brower, Chamber Orchestra of Europe, Yannick Nézet-Séguin to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vaga luna, che inargenti | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | B♭ Major | 1 | 6B | 73 BPM | ||
Die Zauberflöte, K.620 / Act 2: Tamino! Tamino! ... Mensch! du hättest verdient | Wolfgang Amadeus Mozart, Hanno Müller-Brachmann, Georg Zeppenfeld, Andreas Bauer, Danilo Formaggia, Tobias Beyer | F Minor | 1 | 4A | 139 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Aria - Dove Sono I Bei Momenti? | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Roberto Frontali, Hungarian State Opera Orchestra, Maria Pia Ionata, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | C Major | 1 | 8B | 81 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Wie? Wie? Wie?" | Wolfgang Amadeus Mozart, Caroline Stein, Heidi Zehnder, Anne-Caroline Schlüter, Hanno Müller-Brachmann, Christoph Strehl, Mahler Chamber Orchestra, Claudio Abbado | G Major | 1 | 9B | 111 BPM | ||
La Clemenza di Tito: Atto primo, scena I. No.1 Duetto Sesto, Vitellia "Come ti piace imponi" | Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, Freiburger Barockorchester, René Jacobs, Bernarda Fink | C Major | 1 | 8B | 93 BPM | ||
Manon / Act III: "Toi! Vous!... Ah! Viens, Manon, je t'aime!" | Jules Massenet, Anna Netrebko, Rolando Villazón, Staatskapelle Dresden, Nicola Luisotti | E Minor | 2 | 9A | 77 BPM | ||
Adiemus Colores: Canción turquesa | Karl Jenkins, Rolando Villazón, Miloš Karadaglić, Pacho Flores, La orquesta de colores, The Adiemus Singers | F Minor | 3 | 4A | 80 BPM | ||
Le Nozze di Figaro, K. 492: Atto secondo. Scene 10 & 11. Antonio, il Conte, Susanna, la Contessa, Figaro "Ah, signor... signor" | Wolfgang Amadeus Mozart, Angelika Kirchschlager, Antonio Abete, Concerto Köln, Patrizia Ciofi, René Jacobs, Simon Keenlyside, Véronique Gens | B♭ Major | 2 | 6B | 97 BPM | ||
Rodelinda - Performance Edition by Benjamin Bayl & Paul McCreesh / Act 3: Aria: Pastorello d'un povero armento | George Frideric Handel, Rolando Villazón, Gabrieli, Paul McCreesh | E♭ Minor | 1 | 2A | 75 BPM | ||
La traviata / Act 2: "Annina, donde vieni?" - "Oh mio rimorso!" | Giuseppe Verdi, Rolando Villazón, Diane Pilcher, Wiener Philharmoniker, Carlo Rizzi | C Major | 2 | 8B | 84 BPM |
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