Carl Friedrich Zelter, Bettina Pahn, Tini Mathot's '12 Lieder am Clavier zu singen, Z. 122: No. 2. Ständchen' came out on May 4, 2015. The duration of 12 Lieder am Clavier zu singen, Z. 122: No. 2. Ständchen is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. 12 Lieder am Clavier zu singen, Z. 122: No. 2. Ständchen's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 23 in Es war ein König in Thule by Bettina Pahn, Tini Mathot. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, 12 Lieder am Clavier zu singen, Z. 122: No. 2. Ständchen's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 12 Lieder am Clavier zu singen, Z. 122: No. 2. Ständchen by Carl Friedrich Zelter, Bettina Pahn, Tini Mathot is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Grande Messe des Morts: Introduzione: Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 64 BPM | ||
The Young Person's Guide to the Orchestra, Op.34: Theme (Allegro maestoso e largamente) | Sir Simon Rattle, City Of Birmingham Symphony Orchestra | G Minor | 2 | 6A | 88 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Die Braut am Gestade | Carl Friedrich Zelter, Andrea Folan, Tom Beghin | A Major | 1 | 11B | 75 BPM | ||
Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | ||
Beethoven: Symphony No. 5 in C Minor, Op. 67: III. Allegro - | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | F Major | 3 | 7B | 88 BPM | ||
Elegie, Op. 30 | Henri Vieuxtemps, Timothy Ridout, Ke Ma | F Minor | 1 | 4A | 76 BPM | ||
Ruslan and Lyudmila / Act 1: Overture | Mikhail Glinka, Mariinsky Orchestra, Valery Gergiev | D Major | 1 | 10B | 89 BPM | ||
Petite messe solennelle: Et resurrexit | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | E Major | 2 | 12B | 137 BPM | ||
Ruhe "Wand'rers Nachtlied" | Carl Friedrich Zelter, Dietrich Fischer-Dieskau, Aribert Reimann | E Major | 1 | 12B | 69 BPM |
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