Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Andreas Wolf's 'Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 2: No. 3. Aria, "Willkommen, Heiland! Freut euch, Väter!" (Baritone)' came out on February 25, 2022. Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 2: No. 3. Aria, "Willkommen, Heiland! Freut euch, Väter!" (Baritone) is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The song is number 15 out of 22 in C.P.E. Bach: Die Auferstehung und Himmelfahrt Jesu, H. 777 by Karl Wilhelm Ramler, Carl Philipp Emanuel Bach, Bart Van Reyn, Il Gardellino, Vlaams Radiokoor. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Based on our statistics, Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 2: No. 3. Aria, "Willkommen, Heiland! Freut euch, Väter!" (Baritone)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 2: No. 3. Aria, "Willkommen, Heiland! Freut euch, Väter!" (Baritone) by Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Andreas Wolf is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Siciliano in G Minor, BWV 1031 | Johann Sebastian Bach, Tatiana Nikolayeva | G Minor | 0 | 6A | 73 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
VI. June. Barcarolle | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | G Minor | 0 | 6A | 69 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
La Prinzette, Wq. 117 No. 21, H. 91 | Carl Philipp Emanuel Bach, Tini Mathot | E Major | 1 | 12B | 150 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso | Antonín Dvořák, Peter Breiner | G Major | 1 | 9B | 179 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM |
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