"Madrigal: Le jeu de Robin et de Marion Madrigal: Kom du ljuva hjärtevän" by Adam de la Halle, Clemens Schreiber, Stockholms Studentsångare, Einar Ralf had its release date on November 1, 2014. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Madrigal: Le jeu de Robin et de Marion Madrigal: Kom du ljuva hjärtevän's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Stockholms studentsångare sjunger under Einar Ralf". In this album, this song's track order is #7. Madrigal: Le jeu de Robin et de Marion Madrigal: Kom du ljuva hjärtevän is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madrigal: Le jeu de Robin et de Marion Madrigal: Kom du ljuva hjärtevän by Adam de la Halle, Clemens Schreiber, Stockholms Studentsångare, Einar Ralf having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hymne Chrétienne d'Oxyrhynchus | Roberto Gerhard, Gregorio Paniagua | A Major | 0 | 11B | 143 BPM | ||
Con amores, mi madre | Juan de Anchieta, Accentus Ensemble, Thomas Wimmer | D Minor | 2 | 7A | 158 BPM | ||
Cantiga No. 10, "Rosa das rosas": Rosa das rosas (CSM 10) | Alfonso X El Sabio, Unicorn Ensemble | C Major | 0 | 8B | 134 BPM | ||
Li dous regard | Adam de la Halle, Ensemble Jehan de Channey, Maryline Bampi, Vincent Barthélemy, Denis Duché, Denis Jacob, Vincent Jacob, Laurent Silvert | F Major | 1 | 7B | 131 BPM | ||
A l'entrant d'este | Blondel De Nesle, Estampie, Graham Derrick | C Major | 0 | 8B | 133 BPM | ||
Alleluia / Posui adiutorium | Pérotin, Musica Ficta, Bo Holten | G Minor | 1 | 6A | 133 BPM | ||
In nomine 'Trust' | Christopher Tye, Trinity Baroque, Martin Pope, The Forbury Consort, Alan Crumpler, Steven Player, Julian Podger, The Holbein Consort | D Minor | 0 | 7A | 63 BPM | ||
Una sarao de la chacona, "A la vida bona" | Juan Arañés, Piffaro | F♯ Major | 2 | 2B | 140 BPM | ||
Os beesteiros daquesta fronteira | Anónimo, Manseliña | D Major | 0 | 10B | 93 BPM | ||
Palästinalied | Walther von der Vogelweide, James Bowman, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 113 BPM |