"Psalm 54 "Save Me O God for Thy Name's Sake"" by Frederick William Wadely, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland was released on January 12, 1990. With Psalm 54 "Save Me O God for Thy Name's Sake" being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Psalms of David, Vol. 2: O Praise the Lord of Heaven". In this album, this song's track order is #3. Based on our statistics, Psalm 54 "Save Me O God for Thy Name's Sake"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 54 "Save Me O God for Thy Name's Sake" by Frederick William Wadely, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Blessed City, Heavenly Salem (Anthem) | Edward Bairstow, Wells Cathedral Choir, Anthony Crossland, Andrew Nethsinga | G Major | 0 | 9B | 139 BPM | ||
They are All Gone into the World of Light | John Tavener, Wells Cathedral Choir, Matthew Owens | C Major | 1 | 8B | 79 BPM | ||
Psalm 42/43: Like as the hart desireth the water-brooks | T. Rogers, The Choir Of Westminster Abbey, Martin Neary | E Major | 1 | 12B | 79 BPM | ||
Evening Service in D Major: I. Magnificat | George Dyson, Exeter Cathedral Choir, Paul Morgan, Lucian Nethsingha | D Major | 2 | 10B | 104 BPM | ||
3 Love Songs: No. 1. To Love and be Beloved | Mike Dixon, Chantage, James Davey | B♭ Major | 1 | 6B | 139 BPM | ||
I Was Filled with Joy and Gladness (Psalm 122a) | Crown & Covenant | G Major | 2 | 9B | 95 BPM | ||
Lord For the Years | Blackburn Cathedral Choir, Greg Morris | C Major | 1 | 8B | 126 BPM | ||
Psalm 128 "Blessed Are All They That Fear the Lord" | John Stainer, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland | G Major | 0 | 9B | 177 BPM | ||
Ubi Caritas | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Psalm 29 "Bring unto the Lord O Ye Mighty" | Charles Villiers Stanford, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland | F Major | 1 | 7B | 85 BPM |
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