"They are All Gone into the World of Light" by John Tavener, Wells Cathedral Choir, Matthew Owens was released on August 5, 2016. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Tavener, Wells Cathedral Choir, Matthew Owens's "John Tavener: Missa Wellensis" album is number 14 out of 15. They are All Gone into the World of Light is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of They are All Gone into the World of Light by John Tavener, Wells Cathedral Choir, Matthew Owens to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ikon of Eros: Movement 2: Eros | John Tavener, Jorja Fleezanis, Minnesota Chorale, Minnesota Orchestra, Paul Goodwin | F Minor | 2 | 4A | 112 BPM | ||
Stars | Ēriks Ešenvalds, Sara Teasdale, Voces8 | D Major | 1 | 10B | 64 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Les Pleurs (version à 2 violes) (Mr. de Sainte Colombe) | Monsieur de Sainte-Colombe, Christophe Coin, Jordi Savall | D♭ Minor | 0 | 12A | 77 BPM | ||
Agnus Dei, Op. 11 | Samuel Barber, Ormond College Choir, Douglas Lawrence | D Major | 0 | 10B | 104 BPM | ||
Requiem canticorum: De profundis | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | A Minor | 0 | 8A | 80 BPM | ||
Komm, süsser Tod, BWV 478 (Arr. L. Stokowski for Orchestra) | Johann Sebastian Bach, Yannick Nézet-Séguin, Orchestre Métropolitain | B♭ Minor | 0 | 3A | 79 BPM | ||
St. John Passion, BWV 245: Part I: Chorale: Herr, unser Herrscher (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 3 | 11A | 137 BPM | ||
Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
Maurice Duruflé: Ubi caritas | Maurice Duruflé, Schola Cantorum, Tone Bianca Sparre Dahl | E♭ Major | 0 | 5B | 87 BPM |
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