"Charles Ives (1874-1954): Five Songs - Down East" by Charles Ives, John Adams, Orchestra of St. Luke's was released on 1990. The duration of Charles Ives (1874-1954): Five Songs - Down East is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Charles Ives (1874-1954): Five Songs - Down East's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 10 in American Elegies by John Adams. In terms of popularity, Charles Ives (1874-1954): Five Songs - Down East is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Charles Ives (1874-1954): Five Songs - Down East by Charles Ives, John Adams, Orchestra of St. Luke's is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le tombeau de Couperin, M. 68: II. Forlane | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | E♭ Major | 0 | 5B | 78 BPM | ||
Psalm 90 | Charles Ives, Thad Anderson, Graeme Francis, Stephen Martin, Jeff Otto, Seung Won Cho, University Of Texas Chamber Singers, James Morrow | F♯ Major | 1 | 2B | 133 BPM | ||
Symphony No.3 - "Liturgique": 1. "Dies Irae" - Allegro marcato | Arthur Honegger, Berliner Philharmoniker, Herbert von Karajan | C Major | 6 | 8B | 143 BPM | ||
Orpheus: Scene I: Lento sostenuto | Igor Stravinsky, London Symphony Orchestra, Robert Craft | E Minor | 0 | 9A | 63 BPM | ||
Variations on an Original Theme Enigma, Op. 36: III. Variation II - H. D. S. - P. | Edward Elgar, Orchestra Filarmonica della Calabria, Giovanni Sollima, Filippo Arlia | D Major | 3 | 10B | 156 BPM | ||
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM | ||
Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
Études, Book 1: No. 1, Désordre | György Ligeti, Pierre-Laurent Aimard | D♭ Major | 5 | 3B | 114 BPM | ||
Shchedrin: Carmen Suite: I. Introduction (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
A Morning in the Woods | Leo Ornstein, Janice Weber | B♭ Minor | 0 | 3A | 63 BPM |
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