"Seis canzones castellanas: 3. Llámale con el panuelo" by Jesús Guridi, Teresa Berganza, Felix Lavilla was released on January 1, 2005. The duration of Seis canzones castellanas: 3. Llámale con el panuelo is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Seis canzones castellanas: 3. Llámale con el panuelo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 105 in Brava Berganza by Teresa Berganza. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Seis canzones castellanas: 3. Llámale con el panuelo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Seis canzones castellanas: 3. Llámale con el panuelo by Jesús Guridi, Teresa Berganza, Felix Lavilla is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Variaciones Sobre un Tema de F.Sor, Op. 15 | Miguel Llobet Solés, Andrés Madariaga | E Minor | 2 | 9A | 81 BPM | ||
El Caserío: "Final (acto II)" | Federico Romero, Guillermo Fernández-Shaw, Jesús Guridi, Manuel Ausensi, Carlos Munguia, Pilar Lorengar, Julio Uribe, Jose Maria Maiza, Mari Carmen Pérez Parral, Ataúlfo Argenta, Gran Orquesta Sinfonica | D Major | 5 | 10B | 63 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
10 Melodias vascas: Religiosa | Jesús Guridi, Bilbao Symphony Orchestra, Juan Jose Mena | E Minor | 0 | 9A | 81 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Sinfonia in F major, F. 67: IV. Menuetto I-II | Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | F Major | 0 | 7B | 122 BPM | ||
Violin Concerto No. 1 in D Major: II. Andante | Florence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek Philharmonic | B♭ Major | 1 | 6B | 79 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM |
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