Antonio Vivaldi, Rick Stotijn, Camerata RCO made "Giustino, RV 717: Vedrò con mio diletto (Arr. M. Prooijen for Double Bass & Chamber Ensemble)" available on October 7, 2022. With this song being about 5 minutes long, at 5:14, "Giustino, RV 717: Vedrò con mio diletto (Arr. M. Prooijen for Double Bass & Chamber Ensemble)" by Antonio Vivaldi, Rick Stotijn, Camerata RCO is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 14 in Doppio espressivo by Rick Stotijn, Camerata RCO. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Giustino, RV 717: Vedrò con mio diletto (Arr. M. Prooijen for Double Bass & Chamber Ensemble)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Giustino, RV 717: Vedrò con mio diletto (Arr. M. Prooijen for Double Bass & Chamber Ensemble) by Antonio Vivaldi, Rick Stotijn, Camerata RCO is Allegro (fast, quick, and bright), since this song has a tempo of 152 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Sonata in G Minor: II. Courante: Allegro con spirito | Henry Eccles, Amit Peled, Eliza Ching | G Minor | 2 | 6A | 127 BPM | ||
Nocturne in D Minor, Op. 19, TH 133, No. 4 | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 59 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 4 in F Minor for solo violin, RV297 "L'Inverno": 3. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | F Minor | 2 | 4A | 87 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM |
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