Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 11.2 - Wie Google tickt - How Google Works" available on January 8, 2015. With Kapitel 11.2 - Wie Google tickt - How Google Works being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #30 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Kapitel 11.2 - Wie Google tickt - How Google Works is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Kapitel 11.2 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 11.2 - Wie Google tickt - How Google Works being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere, ZWV 57: V. Sicut erat et Miserere III | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | F♯ Minor | 3 | 11A | 77 BPM | ||
Chants d'Auvergne, Vol. 1: No. 1. Pastourelle (Pastorale) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | A Minor | 1 | 8A | 77 BPM | ||
Psalm 42, Op. 42: III. Recitativo "Meine Tränen sind" | Felix Mendelssohn, Ruth Ziesak, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | A Minor | 1 | 8A | 110 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM | ||
Handel: Messiah, HWV 56, Pt. 1, Scene 4: Pastoral Symphony "Pifa" | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | E♭ Major | 2 | 5B | 119 BPM | ||
Handel: Messiah, HWV 56, Pt. 1: Pifa. Larghetto e mezzo piano | George Frideric Handel, Otto Klemperer, Philharmonia Orchestra | D Major | 4 | 10B | 114 BPM | ||
Resitatiivi, Kolmannen Päivän Aamuna (Pääsiäisen Ihme) | Heikki Rainio, Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM | ||
Sogno D'or | Giacomo Puccini, Cheri Rose Katz, Alan Mallach | A Major | 2 | 11B | 153 BPM | ||
Requiem aeternam: Recordare | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 1 | 7A | 121 BPM | ||
Handel: Samson, HWV 57, Act 1: "Total eclipse!" (Samson) | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | E Minor | 1 | 9A | 75 BPM |
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