"How Sweet Her Head" by Alexander Dargomyzhsky, Georgi Vinogradov, Georg Orentlikher was released on December 1, 2011. With How Sweet Her Head being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Rzhevskaya, Bulakhov & Others: Russian Romances". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Czechia. How Sweet Her Head is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With How Sweet Her Head by Alexander Dargomyzhsky, Georgi Vinogradov, Georg Orentlikher having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka: I. Overture | Alexander Dargomyzhsky, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | C Minor | 1 | 5A | 72 BPM | ||
Marche funebre | Luigi Cherubini, Radio Svizzera Italiana Orchestra, Diego Fasolis | D Minor | 0 | 7A | 82 BPM | ||
Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | A Major | 1 | 11B | 91 BPM | ||
Violin Concerto No. 1 in D Major, Op. 6: III. Rondo (Allegro spirituoso) | Niccolò Paganini, Hilary Hahn, Swedish Radio Symphony Orchestra, Eije Oue | D Major | 1 | 10B | 99 BPM | ||
Clarinet Trio in A Minor, Op. 114: I. Allegro | Johannes Brahms, Andreas Ottensamer, Gautier Capuçon, Yuja Wang | A Minor | 1 | 8A | 68 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 127 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM |
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