"David Copperfield: Main Title" by Malcolm Arnold, Moscow Philharmonic Orchestra, William Stromberg was released on April 7, 2001. The duration of David Copperfield: Main Title is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. David Copperfield: Main Title's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 33 in Arnold, M.: David Copperfield / The Roots of Heaven by Malcolm Arnold, Moscow Symphony Orchestra, William Stromberg, Moscow Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, David Copperfield: Main Title's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of David Copperfield: Main Title by Malcolm Arnold, Moscow Philharmonic Orchestra, William Stromberg is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Prelude, Siciliano & Rondo: Prelude | Malcolm Arnold, The Trade Winds, Daniel Schmidt | B♭ Major | 1 | 6B | 124 BPM | ||
Fanfare for the Common Man | Aaron Copland, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 113 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for String Orchestra) | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 93 BPM | ||
Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
St. Paul's Suite, Op. 29, No. 2: IV. Finale, "The Dargason" | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 3 | 8B | 80 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM |
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