"Gotterdammerung (Twilight of the Gods), Act I Scene 2: Act I Scene 2: Bluhenden Lebens labendes Blut (Siegfried, Gunther)" by Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth was released on May 1, 2015. The duration of Gotterdammerung (Twilight of the Gods), Act I Scene 2: Act I Scene 2: Bluhenden Lebens labendes Blut (Siegfried, Gunther) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Gotterdammerung (Twilight of the Gods), Act I Scene 2: Act I Scene 2: Bluhenden Lebens labendes Blut (Siegfried, Gunther)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Götterdämmerung by Richard Wagner, Joseph Keilberth. The song's track number on the album is #3 out of 66 tracks. Based on our data, United States was the country where this track was produced or recorded. Gotterdammerung (Twilight of the Gods), Act I Scene 2: Act I Scene 2: Bluhenden Lebens labendes Blut (Siegfried, Gunther) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gotterdammerung (Twilight of the Gods), Act I Scene 2: Act I Scene 2: Bluhenden Lebens labendes Blut (Siegfried, Gunther) by Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gotterdammerung (Twilight of the Gods), Act I Scene 2: Act I Scene 2: Bluhenden Lebens labendes Blut (Siegfried, Gunther) being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
Kassya: Trepak | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | D Minor | 1 | 7A | 127 BPM | ||
Rigoletto / Preludio: Preludio | Giuseppe Verdi, Wiener Philharmoniker, Carlo Maria Giulini | C Minor | 0 | 5A | 72 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo - | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | G Major | 1 | 9B | 122 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | B♭ Major | 3 | 6B | 126 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Sibelius: Symphony No. 7 in C Major, Op. 105: I. Adagio | Jean Sibelius, Royal Philharmonic Orchestra, Sir Thomas Beecham | C Major | 2 | 8B | 75 BPM |
Section: 0.763455867767334
End: 0.7674875259399414