Franz Joseph Haydn, Spektral Quartet's 'String Quartet No. 30 in E-Flat Major, Op. 33 No. 2, Hob. III:38 "The Joke": II. Scherzo: Allegro' came out on January 29, 2016. The duration of String Quartet No. 30 in E-Flat Major, Op. 33 No. 2, Hob. III:38 "The Joke": II. Scherzo: Allegro is about 3 minutes long, at 3:14. Based on our data, "String Quartet No. 30 in E-Flat Major, Op. 33 No. 2, Hob. III:38 "The Joke": II. Scherzo: Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 32 in the song's album "Serious Business". In this album, this song's track order is #8. In terms of popularity, String Quartet No. 30 in E-Flat Major, Op. 33 No. 2, Hob. III:38 "The Joke": II. Scherzo: Allegro is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With String Quartet No. 30 in E-Flat Major, Op. 33 No. 2, Hob. III:38 "The Joke": II. Scherzo: Allegro by Franz Joseph Haydn, Spektral Quartet having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 86 BPM | ||
Keyboard Concerto in D Minor, Wq. 23, H. 427: I. Allegro | Carl Philipp Emanuel Bach, Michael Rische, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 2 | 7A | 133 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Hungarian Dance No.3 In F Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 77 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Kyrie | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Minor | 2 | 7A | 99 BPM | ||
Serenade No. 1 in D Major, Op. 11: IVa. Menuetto I | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | B♭ Minor | 0 | 3A | 60 BPM | ||
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt Coffee süße | Johann Sebastian Bach, Emma Kirkby, Lisa Beznosiuk, Academy of Ancient Music, Christopher Hogwood | B♭ Minor | 1 | 3A | 66 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Hilary Hahn | D♭ Minor | 1 | 12A | 133 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM |
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