Handel, J Vyvyan, M Wöldike, H Handt, Vienna Symph Orch, H Watts, T Hemsley, L Dutoit, E Thorborg, The Copenhagen Boys Choir's 'Saul, HWV53: 27. Accompagnato: The time at last is come; Where is the son of Jesse?' came out on February 19, 2013. The duration of Saul, HWV53: 27. Accompagnato: The time at last is come; Where is the son of Jesse? is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Saul, HWV53: 27. Accompagnato: The time at last is come; Where is the son of Jesse?'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 135 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Saul, HWV53: 27. Accompagnato: The time at last is come; Where is the son of Jesse? is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Saul, HWV53: 27. Accompagnato: The time at last is come; Where is the son of Jesse? by Handel, J Vyvyan, M Wöldike, H Handt, Vienna Symph Orch, H Watts, T Hemsley, L Dutoit, E Thorborg, The Copenhagen Boys Choir is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: I. Allegro | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | D Minor | 1 | 7A | 129 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
The Magic Flute, K. 620: Overture | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | E♭ Major | 1 | 5B | 90 BPM | ||
Capriol Suite: 6. Mattachins (Sword Dance) | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | F Major | 3 | 7B | 82 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Gigue from Sonata, Op. 5, No. 9 | Arcangelo Corelli, Richard Kapp, Philharmonia Virtuosi of New York | A Major | 2 | 11B | 62 BPM | ||
Chandos Anthem No. 2 in D Minor, 'In the Lord Put I My Trust', HWV247: i. Sinfonia | Handel, Collegium Musicum of Rutgers University, Jerrold Held, Helen Boatwright, Charles Bressler, Donald Miller, Alfred Mann | D Minor | 2 | 7A | 122 BPM | ||
Symphony in B-Flat Major, Op. 2 No. 1: I. Allegro | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 3 | 6B | 94 BPM | ||
Minuet from String Quintet in E Major, Op. 13 No. 5 | Luigi Boccherini, Stuttgart Chamber Orchestra, Karl Münchinger | A Major | 0 | 11B | 90 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM |
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