On September 24, 2014, the song "Fanfare from Bravo Brassivo!" was released by Jan Valta, Philharmonic Wind Orchestra, Marc Reift. With Fanfare from Bravo Brassivo! being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivere by Philharmonic Wind Orchestra, Marc Reift. The song's track number on the album is #16 out of 17 tracks. Based on our data, Switzerland was the country where this track was produced or recorded. Based on our statistics, Fanfare from Bravo Brassivo!'s popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Fanfare from Bravo Brassivo! by Jan Valta, Philharmonic Wind Orchestra, Marc Reift has a tempo of 154 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Fanfare from Bravo Brassivo! being at 154 BPM, the half-time would be 77 BPM with a double-time of 308 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
Eugene Onegin, Op. 24, TH 5: Polonaise. Moderato | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | G Major | 2 | 9B | 97 BPM | ||
Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 97 BPM | ||
The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B♭ Major | 1 | 6B | 105 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
Symphony No. 104 in D Major, Hob.I:104, "London": III. Menuet - Trio | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | D Major | 1 | 10B | 136 BPM | ||
Carmen Suite No. 2: 4. La garde montante | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 1 | 7A | 124 BPM | ||
Elgar: Pomp and Circumstance, Op. 39: IV. March No. 4 in G Major (Allegro marziale - Nobilmente) | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | C Major | 3 | 8B | 110 BPM | ||
Die Zauberflote (The Magic Flute), K. 620, Act II: Ein Madchen oder Weibchen (arr. for orchestra) | Wolfgang Amadeus Mozart, Anonymous , Sofia Philharmonic Orchestra, Emil Tabakov | F Major | 0 | 7B | 86 BPM | ||
Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM |
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