Henry Purcell, Raymond Leppard, English Chamber Orchestra made "The Gordian Knot Untied: Air" available on 1967. With The Gordian Knot Untied: Air being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Raymond Leppard's "Great CBS Masterworks Recordings of Baroque Favorites from "Kramer vs. Kramer"" album is number 14 out of 20. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Gordian Knot Untied: Air's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of The Gordian Knot Untied: Air by Henry Purcell, Raymond Leppard, English Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Minor, J-C 23: II. Grave | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 73 BPM | ||
Concerto Grosso Op.25-3 G Major 'Watermusic Suite No.3': Menuet | I Musici Di San Marco, Alberto Lizzio | G Major | 1 | 9B | 91 BPM | ||
Violinkonzert G-moll Bwv 1056 - 2. Largo - Arrangement Für Flöte Und Orchester | Philippe Racine, English Chamber Orchestra, Simon Preston | B♭ Major | 1 | 6B | 99 BPM | ||
The Fairy Queen, Z. 629 / Act 1: Song In Two Parts: "Come, come, come, let us leave" | Henry Purcell, Eiddwen Harrhy, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
Concerto Grosso in B-Flat Major, Op. 1, No. 3: IV. Vivace | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | B♭ Major | 1 | 6B | 85 BPM | ||
Sinfonia in G Major: III. Presto | Frederick the Great, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | G Major | 2 | 9B | 124 BPM | ||
Concerto 4 in F Major, Op. 7: III. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 3 | 12B | 100 BPM | ||
Symphony in C Major, J-C 4: II. Andante e affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 131 BPM | ||
Concerti a più istrumenti in F Major, Op. 6 No. 6, IV. Allegro assai | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Davide Monti, Orchestra Barocca di Verona, Alberto Rasi | B Major | 3 | 1B | 128 BPM | ||
Fantazia I in 3 Parts | Henry Purcell, Fretwork | D♭ Minor | 1 | 12A | 102 BPM |
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