"La traviata, Act II: Invitato a qui seguirmi (Live)" by Giuseppe Verdi, Nadine Sierra, Francesco Meli, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta was released on October 21, 2022. With this song being about 5 minutes long, at 4:47, "La traviata, Act II: Invitato a qui seguirmi (Live)" by Giuseppe Verdi, Nadine Sierra, Francesco Meli, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: La traviata (Live) by Giuseppe Verdi, Nadine Sierra, Francesco Meli, Leo Nucci, Caterina Meldolesi, Zubin Mehta, Orchestra del Maggio Musicale Fiorentino. The song's track number on the album is #26 out of 35 tracks. Based on our data, Italy was the country where this track was produced or recorded. La traviata, Act II: Invitato a qui seguirmi (Live) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La traviata, Act II: Invitato a qui seguirmi (Live) by Giuseppe Verdi, Nadine Sierra, Francesco Meli, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta has a tempo of 65 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With La traviata, Act II: Invitato a qui seguirmi (Live) being at 65 BPM, the half-time would be 32 BPM with a double-time of 130 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | E Major | 2 | 12B | 113 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Jonas Kaufmann, Giacomo Puccini, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 3 | 4B | 68 BPM | ||
'A vucchella | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 1 | 7B | 81 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
Il Trovatore / Act 4: "Miserere d'un'alma" | Giuseppe Verdi, The London Opera Chorus, Dame Joan Sutherland, Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
Caro nome | Giuseppe Verdi, Montserrat Caballé, Gianfranco Masini, Orquesta Sinfónica de Barcelona | D Major | 5 | 10B | 120 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Perpetuum mobile, Op. 257 | Johann Strauss II, Wiener Philharmoniker, Lorin Maazel | E♭ Major | 2 | 5B | 81 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM |
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