"Mignon: Connais-tu le pays?? (Recorded 1928)" by Ambroise Thomas, Lucrezia Bori, Josef Pasternack, Victor Orchestra had its release date on January 1, 2006. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists, Rosario Bourdon, Josef Pasternack, Frank Black, Nathaniel Shilkret, Victor Orchestra's "Lucrezia Bori in Opera and Song" album is number 2 out of 43. Mignon: Connais-tu le pays?? (Recorded 1928) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mignon: Connais-tu le pays?? (Recorded 1928) by Ambroise Thomas, Lucrezia Bori, Josef Pasternack, Victor Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Offenbach: La vie parisienne, Act 1: Ouverture - Chœur. "Nous sommes employés de la ligne de l'Ouest" - Dialogue. "À quelle heure arrive le train de Trouville ?" (Chœur, Bobinet, Gardefeu, L'Employé) | Jacques Offenbach, Michel Plasson, André Batisse, Choeur Du Capitole De Toulouse, Michel Sénéchal, Michel Trempont, Orchestre Du Capitole De Toulouse | G Major | 3 | 9B | 111 BPM | ||
Valse triste from Kuolema, Op.44 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 86 BPM | ||
Les Sylphides: Prelude Opus 28 No.7 | Frédéric Chopin, Jésus Etcheverry, Orchestre Lamoureux | D♭ Major | 1 | 3B | 128 BPM | ||
Beethoven: Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto | Ludwig van Beethoven, Sir Simon Rattle, Wiener Philharmoniker | C Major | 0 | 8B | 113 BPM | ||
Holberg Suite, Op.40: 2. Sarabande (Andante) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 85 BPM | ||
世界名曲:土耳其進行曲 | 蔡榮吉, 李淑雲, 吳爾笠 | B♭ Major | 4 | 6B | 118 BPM | ||
Song of Shadows | Paolo MIllon, Neon Lilith, Barbara Norbert | D Major | 3 | 10B | 144 BPM | ||
Ivan Susanin: Waltz | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | A Major | 0 | 11B | 185 BPM | ||
Mignon: "As-tu souffert" (Marilyn Horne, Nicola Zaccaria) - Voice | Ambroise Thomas, Jules Barbier, Michel Carré, Philharmonia Orchestra, Antonio de Almeida | B♭ Major | 1 | 6B | 73 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 160 BPM |