Arcangelo Corelli, Guido Balestracci, Eunice Brandao, Eduardo Eguez, Gaetano Nasillo, Massimiliano Raschietti made "Sonata in F Major, Op. 5, No. 10 (version for viola da gamba and basso continuo): V. Giga: Allegro" available on October 4, 2011. The duration of Sonata in F Major, Op. 5, No. 10 (version for viola da gamba and basso continuo): V. Giga: Allegro is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Sonata in F Major, Op. 5, No. 10 (version for viola da gamba and basso continuo): V. Giga: Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 48 in Corelli: Sonate per Viola da Gamba & basso continuo, Op. 5 by Arcangelo Corelli, Guido Balestracci. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Sonata in F Major, Op. 5, No. 10 (version for viola da gamba and basso continuo): V. Giga: Allegro is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Sonata in F Major, Op. 5, No. 10 (version for viola da gamba and basso continuo): V. Giga: Allegro by Arcangelo Corelli, Guido Balestracci, Eunice Brandao, Eduardo Eguez, Gaetano Nasillo, Massimiliano Raschietti is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in C Minor, Op. 2, No. 1: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 180 BPM | ||
Viola Concerto in C Minor: II. Adagio molto espressivo | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | A♭ Major | 2 | 4B | 133 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Athalia, HWV 52: Part 1 - No. 1 Sinfonia: Allegro - Grave - Allegro | George Frideric Handel, Markus Brutscher, Friederike Holzhausen, Stephan MacLeod, Annette Reinhold, Barbara Schlick, Elisabeth Scholl, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | D♭ Major | 0 | 3B | 77 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 1 | 6A | 101 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM |
Section: 0.7220010757446289
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