Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset's 'An Almaine "The Lady Canes Delight"' came out on September 22, 2014. The duration of An Almaine "The Lady Canes Delight" is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. An Almaine "The Lady Canes Delight"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset's "Hume: "Harke, Harke!" Lyra Violls Humors & Delights" album is number 2 out of 25. On top of that, France appears to be the country where this track was created. Based on our statistics, An Almaine "The Lady Canes Delight"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of An Almaine "The Lady Canes Delight" by Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
Daniell Batchelar: Mounsier's Almaine (1610) | Paul O'Dette | F♯ Major | 0 | 2B | 124 BPM | ||
Prélude à 7 cordes | Monsieur de Sainte-Colombe, Hille Perl | D♭ Major | 0 | 3B | 114 BPM | ||
Prelude in D Major: The Division-Violist: Prelude | Christopher Simpson, John Dornenburg | D♭ Minor | 0 | 12A | 79 BPM | ||
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
Image of Melancholy | Anthony Holborne, Bjarte Eike, Barokksolistene | D Major | 1 | 10B | 76 BPM | ||
The English Dancing Master: St. Paul's steeple | John Playford, The Broadside Band, Jeremy Barlow | G Minor | 1 | 6A | 98 BPM | ||
Elizabeth and Essex - Queen Elizabeth's Gaillard | Hopkinson Smith, John Dowland | A Minor | 1 | 8A | 88 BPM | ||
Sinfonia per violoncello in G Minor: II. Allegro | Giovanni Bononcini, Marco Ceccato, Accademia Ottoboni | A♭ Minor | 1 | 1A | 73 BPM | ||
Three Feminine Portraits - Lady Hunsdon's Allemande | Hopkinson Smith, John Dowland | B♭ Major | 2 | 6B | 80 BPM |
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