Nicolai Gedda, Pierre Dervaux, Ernest Blanc, Orchestre Du Theatre National De L'opera-comique's 'Les Pêcheurs de perles (1988 Digital Remaster): Au fond du temple saint (Act I)' came out on February 1, 2011. With this song being about 5 minutes long, at 5:26, "Les Pêcheurs de perles (1988 Digital Remaster): Au fond du temple saint (Act I)" by Nicolai Gedda, Pierre Dervaux, Ernest Blanc, Orchestre Du Theatre National De L'opera-comique is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 100 Drivetime Classics, so we believe that "Les Pêcheurs de perles (1988 Digital Remaster): Au fond du temple saint (Act I)" is a single. The popularity of Les Pêcheurs de perles (1988 Digital Remaster): Au fond du temple saint (Act I) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Pêcheurs de perles (1988 Digital Remaster): Au fond du temple saint (Act I) by Nicolai Gedda, Pierre Dervaux, Ernest Blanc, Orchestre Du Theatre National De L'opera-comique is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 2: "Arranci, datteri!" | Giacomo Puccini, Rolando Panerai, Gianni Maffeo, Luciano Pavarotti, Mirella Freni, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | F Major | 5 | 7B | 108 BPM | ||
La Gioconda / Act II: "Cielo e mar" | Amilcare Ponchielli, Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari | E♭ Major | 2 | 5B | 80 BPM | ||
Carmen / Act 1: "Près des remparts de Séville" | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 83 BPM | ||
Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM | ||
Carmen (1997 - Remaster), Act I: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Major | 0 | 9B | 114 BPM | ||
Ob blond, ob braun, ich liebe Frau'n! - 1992 Remastered Version | Robert Stolz, Nicolai Gedda, Symphonieorchester Graunke | F Major | 5 | 7B | 66 BPM | ||
Handel: Messiah, HWV 56, Pt. 1: Aria. "Ev'ry Valley Shall Be Exalted" | George Frideric Handel, Otto Klemperer, Nicolai Gedda, Philharmonia Orchestra | E Major | 2 | 12B | 86 BPM | ||
Paganini · Operette in 3 Akten (Auszug) (1977 Digital Remaster): - Gern hab' ich die Frau'n geküßt (Paganini) | Franz Lehár, Nicolai Gedda, Willi Boskovsky, Bayerisches Symphonieorchester, Bayerisches Symphonieorchester München | F Major | 3 | 7B | 68 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Orphée et Eurydice: Quel nouveau ciel (Act II) | Orchestre De La Société Des Concerts Du Conservatoire, Nicolai Gedda, Louis de Froment | G Major | 2 | 9B | 87 BPM |
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