11 Folk Songs from Sussex: No. 8. Seventeen come Sunday
George Butterworth, Roderick Williams, Iain Burnside
English Song Series, Vol. 20: Butterworth
1:37 July 27, 2010
BPM
125
Key
C Major
Camelot
8B

Embed

Share Link

11 Folk Songs from Sussex: No. 8. Seventeen come Sunday - George Butterworth, Roderick Williams, Iain Burnside Information

Acousticness
99%
Danceability
68%
Energy
16%
Instrumentalness
0%
Liveness
14%
Loudness
67%
Speechiness
11%
Valence
96%
Popularity
Loudness
-19.866 dB

Summary

On July 27, 2010, the song "11 Folk Songs from Sussex: No. 8. Seventeen come Sunday" was released by George Butterworth, Roderick Williams, Iain Burnside. With 11 Folk Songs from Sussex: No. 8. Seventeen come Sunday being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 25 in English Song Series, Vol. 20: Butterworth by George Butterworth, Roderick Williams. Based on our statistics, 11 Folk Songs from Sussex: No. 8. Seventeen come Sunday's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

11 Folk Songs from Sussex: No. 8. Seventeen come Sunday BPM

The tempo marking of 11 Folk Songs from Sussex: No. 8. Seventeen come Sunday by George Butterworth, Roderick Williams, Iain Burnside is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

11 Folk Songs from Sussex: No. 8. Seventeen come Sunday Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony No. 2 in A Major: II. Andante cantabile by Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore KucharSymphony No. 2 in A Major: II. Andante cantabileVasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore KucharF♯ Minor111A69 BPM
49th Parallel Suite: Prelude by RTE Concert Orchestra, Ralph Vaughan Williams49th Parallel Suite: PreludeRTE Concert Orchestra, Ralph Vaughan WilliamsG Major19B87 BPM
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante by Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigMendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. AndanteFelix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigC Major18B96 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabileMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsE♭ Major25B60 BPM
Overture to Overture to "A Midsummer Night's Dream", Op. 21: Tempo primoFelix Mendelssohn, John Eliot Gardiner, London Symphony OrchestraE Major012B140 BPM
Idyl for Strings - Adagio by Leoš Janáček, Hanspeter Gmür, Camerata RomanaIdyl for Strings - AdagioLeoš Janáček, Hanspeter Gmür, Camerata RomanaG Major19B105 BPM
Borodin - String Quartet No.2 in D major: Notturno: Andante by Alexander Borodin, Borodin QuartetBorodin - String Quartet No.2 in D major: Notturno: AndanteAlexander Borodin, Borodin QuartetA Major211B74 BPM
Suite from The Victorian Kitchen Garden: IV. Exotica by Paul Reade, Emma Johnson, Philip Ellis, BBC Concert OrchestraSuite from The Victorian Kitchen Garden: IV. ExoticaPaul Reade, Emma Johnson, Philip Ellis, BBC Concert OrchestraF Minor04A124 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: III. Andante sostenuto by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: III. Andante sostenutoMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsA♭ Major24B93 BPM
On hearing the first Cuckoo in Spring by Frederick Delius, Academy of St. Martin in the Fields, Sir Neville MarrinerOn hearing the first Cuckoo in SpringFrederick Delius, Academy of St. Martin in the Fields, Sir Neville MarrinerG Major19B80 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7987372875213623

End: 0.8037540912628174