- BPM
- 72
- Key
- C Major
- Camelot
- 8B
On the Town: Act I: Opening: New York, New York - Leonard Bernstein, On the Town Orchestra (1960) Information
- Acousticness
- 84%
- Danceability
- 36%
- Energy
- 42%
- Instrumentalness
- 2%
- Liveness
- 11%
- Loudness
- 81%
- Speechiness
- 11%
- Valence
- 33%
- Popularity
- 5%
- Loudness
- -11.523 dB
Summary
Leonard Bernstein, On the Town Orchestra (1960)'s 'On the Town: Act I: Opening: New York, New York' came out on January 19, 2018. On the Town: Act I: Opening: New York, New York appears to be safe for all ages as it is not explicit. The song is number 1 out of 13 in Bernstein: On the Town (Remastered) by Leonard Bernstein, On the Town Orchestra (1960). Going off of the ISRC code of this track, we detected that the origin of this track is from United States. On the Town: Act I: Opening: New York, New York is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
On the Town: Act I: Opening: New York, New York BPM
The tempo marking of On the Town: Act I: Opening: New York, New York by Leonard Bernstein, On the Town Orchestra (1960) is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
On the Town: Act I: Opening: New York, New York Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | |
 | The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 60 BPM | |
 | Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": III. Adagio - Live | Felix Mendelssohn, Israel Philharmonic Orchestra, Leonard Bernstein | A Major | 0 | 11B | 60 BPM | |
 | String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for String Orchestra) | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 93 BPM | |
 | Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | |
 | Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | |
 | Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": I. Allegro vivace | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 65 BPM | |
 | Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | |
 | Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | |
 | St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, English Sinfonia, Howard Griffiths | D Minor | 3 | 7A | 78 BPM |
- ISRC
- USSM11702357
- Label
- L-M Records/RCA Records
Section: 0.8021247386932373
End: 0.8057630062103271