"Songs For Mixed Choir And Piano: XIII. Abendlied zu Gott - Poco Adagio" by Pforzheim Motet Choir, Renate Werner, Rolf Schweizer was released on 1991. With this song being about 5 minutes long, at 5:05, "Songs For Mixed Choir And Piano: XIII. Abendlied zu Gott - Poco Adagio" by Pforzheim Motet Choir, Renate Werner, Rolf Schweizer is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Slovak Philharmonic, Caspar Da Salo Quartet's "Music For The Millions Vol. 37 - Joseph Haydn" album is number 23 out of 23. Songs For Mixed Choir And Piano: XIII. Abendlied zu Gott - Poco Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Songs For Mixed Choir And Piano: XIII. Abendlied zu Gott - Poco Adagio by Pforzheim Motet Choir, Renate Werner, Rolf Schweizer to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oster Oratorium, BWV 249: III. Duetto e Coro: "Kommt, eilet und laufet" | Johann Sebastian Bach, Jan Kobow, Gotthold Schwarz, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | D♭ Major | 2 | 3B | 184 BPM | ||
Messa Delli Apostoli: Kyrye IV | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Messiah, HWV 56: Part 1: His yoke is easy (Chorus) | Nikolaus Harnoncourt | A Major | 1 | 11B | 80 BPM | ||
Markuspassion: No. 1, Chorus. Geh, JEsu, geh zu deiner Pein! | Nikolaus Matthes, Ensemble Gli Aspetti | D♭ Minor | 0 | 12A | 90 BPM | ||
III. Ich Hatte Viel Bekümmernis BWV 21, Prima Parte, 2. Coro: Ich Hatte Viel Bekümmernis | Pieter Jan Leusink, Will Wroth, Johann Sebastian Bach, Ruth Holton, Bas Ramselaar, Knut Schoch, Hendrik Jan Houtsma, Susan Williams, Peter Frankenberg, Frank Aarnink, Sytse Buwalda | B Minor | 1 | 10A | 80 BPM | ||
Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Chorale: Wenn soll es doch geschehen (Chorus) | Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki | A Minor | 0 | 8A | 172 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 1. Lux aeterna luceat eis Domine | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | C Minor | 1 | 5A | 82 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria. Ich folge Christo nach (Bass) | Johann Rudolf Ahle, Concerto Palatino, Bach Collegium Japan, Masaaki Suzuki | A♭ Major | 1 | 4B | 76 BPM | ||
II. Der Himmel Lacht! Die Erde Jubilieret BWV 31, 1. Sonata | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Sytse Buwalda, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Bas Ramselaar, Hendrik Jan Houtsma, Eduard Wesley, Will Wroth, Pieter Jan Leusink | B Major | 4 | 1B | 183 BPM | ||
Herzlich Thut Mich Verlangen, Weihnachtsoratorium Bwv 248 | Nicol Matt, Martina Rotbauer, Ute Petersilge, Nordic Chamber Choir, Heike Hümmer, Jörg Halobek, Soloist Of The Freiburger Barockorchester, Jens Wollenschläger, Johann Sebastian Bach, Robert Sagasser | A♭ Minor | 2 | 1A | 89 BPM |
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