On October 7, 2016, the song "French Suite No. 6 in E Major, BWV 817: VII. Bourrée" was released by Johann Sebastian Bach, Murray Perahia. With French Suite No. 6 in E Major, BWV 817: VII. Bourrée being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Murray Perahia's "Johann Sebastian Bach: The French Suites" album is number 38 out of 39. Based on our statistics, French Suite No. 6 in E Major, BWV 817: VII. Bourrée's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of French Suite No. 6 in E Major, BWV 817: VII. Bourrée by Johann Sebastian Bach, Murray Perahia to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in G Major, BWV 1038: III. Adagio | Johann Sebastian Bach, Jean-Pierre Rampal, Isaac Stern, John Steele Ritter, Leslie Parnas | E Minor | 2 | 9A | 77 BPM | ||
Symphony in D Major, Op. 3, No. 2: III. Menuetto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | D Major | 0 | 10B | 80 BPM | ||
Six German Dances, D820: No.2 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Aria | Arts Music Recording, Rotterdam, Pieter-Jan Belder, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Sonata in B-flat Major, No. 2: II. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A Major | 1 | 11B | 105 BPM | ||
La Visionnaire (25e ordre) | François Couperin, Alexandre Tharaud | E♭ Major | 2 | 5B | 108 BPM | ||
Quintet No. 5 in D Major for Guitar and Strings, G. 449: II. Menuetto - Allegro | Luigi Boccherini, John Williams, London String Quartet | D Major | 1 | 10B | 135 BPM | ||
Cello Sonata in E Minor, RV 40: III. Largo | Antonio Vivaldi, Jean-Guihen Queyras, Michael Behringer, Christoph Dangel | F♯ Major | 0 | 2B | 138 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: II. Adagio | Cologne Chamber Orchestra, Gerald Hambitzer, Christoph Anselm Noll, Johann Sebastian Bach | A Minor | 1 | 8A | 81 BPM | ||
10 Pieces, Op. 12: No. 7. Prelude | Sergei Prokofiev, Olli Mustonen | C Major | 1 | 8B | 77 BPM |
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