Giuseppe Verdi, Quatuor Zaïde's 'La forza del destino: Prélude (Arr. for String Quartet by Eric Mouret)' came out on January 21, 2022. With La forza del destino: Prélude (Arr. for String Quartet by Eric Mouret) being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "No(s) Dames". In this album, this song's track order is #14. Furthermore, we believe that the track originated from France. Based on our statistics, La forza del destino: Prélude (Arr. for String Quartet by Eric Mouret)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La forza del destino: Prélude (Arr. for String Quartet by Eric Mouret) by Giuseppe Verdi, Quatuor Zaïde having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Violin Concerto in G Minor, BWV 1056R: III. Presto (Arr. Forkel After Harpsichord Concerto) | Johann Sebastian Bach, Itzhak Perlman, Daniel Barenboim, English Chamber Orchestra | G Minor | 4 | 6A | 111 BPM | ||
Berceuse - Studio | Radio Luxembourg Symphony Orchestra | D Major | 1 | 10B | 71 BPM | ||
Nocturnes, Op. 9: II. Andante (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | E♭ Major | 1 | 5B | 170 BPM | ||
Lieder Ohne Worte, Zweites Heft, Op. 30 (Arr. for Violin and Piano by Ferdinand David): V. Venetianisches Gondellied: Allegretto tranquillo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
String Quartet No. 8 in B-Flat Major, D. 112: II. Andante sostenuto | Franz Schubert, Takács Quartet | G Minor | 0 | 6A | 97 BPM | ||
Piano Trio In G Major, L. 5: II. Scherzo. Intermezzo (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
L'arte dell'arco, B. F11: Variazione No. 11 | Giuseppe Tartini, Alessandro Clerici | F Major | 3 | 7B | 125 BPM | ||
String Quartet No. 3 in D Major, Op. 18: II. Andante con moto | Ludwig van Beethoven, Narratio Quartet | B♭ Major | 0 | 6B | 85 BPM | ||
A Dark Waltz | Michael Berkeley, Hyeyoon Park, Benjamin Grosvenor | G Minor | 1 | 6A | 98 BPM | ||
Goodbye | Ben Flos | B Minor | 2 | 10A | 75 BPM |
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