George Frideric Handel, Leonard Bernstein, New York Philharmonic's 'Messiah, HWV 56: Part I, No. 12: Pifa - Pastoral Symphony' came out on 1958. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Adele Addison, Russell Oberlin, David Lloyd, William Warfield, Westminster Abbey Choir, New York Philharmonic, Leonard Bernstein's "Handel: Messiah" album is number 11 out of 39. On top of that, United States appears to be the country where this track was created. In terms of popularity, Messiah, HWV 56: Part I, No. 12: Pifa - Pastoral Symphony is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah, HWV 56: Part I, No. 12: Pifa - Pastoral Symphony by George Frideric Handel, Leonard Bernstein, New York Philharmonic to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elégie, Op.24: Molto adagio | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | A♭ Major | 0 | 4B | 107 BPM | ||
Allegro 2 (Concierto Para Mandolina Do Mayor) | Cámara de la Escala De Milan | B Major | 3 | 1B | 91 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish" (Remastered): III. Adagio | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 92 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM | ||
Schubert: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": IV. Presto | Franz Schubert, Borodin Quartet | E Major | 4 | 12B | 89 BPM | ||
Concerto for Violin and Strings in E major, Op.8, No.1, RV 269 "La Primavera": 2. Largo | Antonio Vivaldi, Alan Loveday, Academy of St. Martin in the Fields, Sir Neville Marriner | D♭ Minor | 0 | 12A | 84 BPM | ||
Mass / II. First Introit (Rondo): I. Prefatory Prayers - Live | Leonard Bernstein, Meredith Lustig, Julia Burrows, Morgan James, Douglas Butler, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, The American Boychoir, Temple University Diamond Marching Band, Student Musicians from the School District of Philadelphia | G Minor | 3 | 6A | 107 BPM | ||
Hungarian Dance No.13 In D | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 0 | 10B | 127 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM |
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