- BPM
- 77
- Key
- D Minor
- Camelot
- 7A
Prokofiev: Cinderella, Op. 87, Act 1: No. 2, Pas de châle (Allegretto) - Sergei Prokofiev, André Previn, London Symphony Orchestra Information
- Acousticness
- 95%
- Danceability
- 28%
- Energy
- 10%
- Instrumentalness
- 26%
- Liveness
- 13%
- Loudness
- 62%
- Speechiness
- 4%
- Valence
- 12%
- Popularity
- 11%
- Loudness
- -22.692 dB
Summary
"Prokofiev: Cinderella, Op. 87, Act 1: No. 2, Pas de châle (Allegretto)" by Sergei Prokofiev, André Previn, London Symphony Orchestra was released on January 10, 1995. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 54 in the song's album "Prokofiev: Cinderella - Ballet/Symphony No. 1". In this album, this song's track order is #2. Prokofiev: Cinderella, Op. 87, Act 1: No. 2, Pas de châle (Allegretto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Prokofiev: Cinderella, Op. 87, Act 1: No. 2, Pas de châle (Allegretto) BPM
With Prokofiev: Cinderella, Op. 87, Act 1: No. 2, Pas de châle (Allegretto) by Sergei Prokofiev, André Previn, London Symphony Orchestra having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Prokofiev: Cinderella, Op. 87, Act 1: No. 2, Pas de châle (Allegretto) Key
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 5 in D Minor, Op. 47: III. Largo | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 0 | 8B | 138 BPM | |
 | Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | |
 | Sons Of Scotland | James Horner, London Symphony Orchestra | D Major | 0 | 10B | 126 BPM | |
 | Act III: Variation I. Prince Desire | Moscow New Philharmonic Orchestra, Vladimir Ponkin | F Major | 3 | 7B | 96 BPM | |
 | The Adventures of Robin Hood- Robin Hood and His Merry Men | Erich Wolfgang Korngold, London Symphony Orchestra, John Williams | F Major | 2 | 7B | 118 BPM | |
 | Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | |
 | Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | |
 | March to the Scaffold | Hector Berlioz, Georges Prêtre | B♭ Major | 3 | 6B | 148 BPM | |
 | Rapsodie espagnole, M. 54: II. Malagueña | Maurice Ravel, London Symphony Orchestra, Claudio Abbado | B Major | 0 | 1B | 119 BPM | |
 | IV. E in quel momento… | Sergei Prokofiev, Musikkollegium Winterthur, Roberto González-Monjas, Christa Rigozzi | C Minor | 1 | 5A | 137 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6900761127471924
End: 0.6940531730651855