"Tannhäuser, WWV 70, Act III: "Wie Todesahnung... O, du mein holder Abendstern"" by Richard Wagner, Lawrence Renes, Peter Mattei, Royal Stockholm Philharmonic Orchestra was released on October 9, 2021. With this song being about 5 minutes long, at 5:13, "Tannhäuser, WWV 70, Act III: "Wie Todesahnung... O, du mein holder Abendstern"" by Richard Wagner, Lawrence Renes, Peter Mattei, Royal Stockholm Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 50 Greatest Hits of Opera!, so we believe that "Tannhäuser, WWV 70, Act III: "Wie Todesahnung... O, du mein holder Abendstern"" is a single. Tannhäuser, WWV 70, Act III: "Wie Todesahnung... O, du mein holder Abendstern" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tannhäuser, WWV 70, Act III: "Wie Todesahnung... O, du mein holder Abendstern" by Richard Wagner, Lawrence Renes, Peter Mattei, Royal Stockholm Philharmonic Orchestra is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Il Barbiere di Siviglia: Overture | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E Major | 2 | 12B | 88 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Lento | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | G Major | 4 | 9B | 169 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 2. Vivace non troppo | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | F Major | 3 | 7B | 132 BPM | ||
Symphony No. 6 In B Minor, Op. 74, TH.30: 2. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Czech Philharmonic Orchestra, Semyon Bychkov | D Major | 1 | 10B | 140 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 3 | 10B | 156 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
The Tsar's Bride - original version Tsarskaya Nevesta by Lev Mey: Overture | Nikolai Rimsky-Korsakov, Mariinsky Orchestra, Valery Gergiev | C Minor | 2 | 5A | 91 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM |
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