"Missa Gaudeamus: XVI. Hosanna II" by Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire was released on November 7, 2006. With Missa Gaudeamus: XVI. Hosanna II being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus's "Josquin Desprez, Vol. 2" album is number 17 out of 54. Based on our statistics, Missa Gaudeamus: XVI. Hosanna II's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Gaudeamus: XVI. Hosanna II by Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Déploration de Johan Okeghem | Josquin des Prez, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
Ricercar (69) | Francesco da Milano, Christopher Wilson | G Minor | 0 | 6A | 63 BPM | ||
Ballet des fous et des estropiés de la cervelle: II. Entrée des demy-fous | Anonymous, Le Poème Harmonique, Vincent Dumestre | G Minor | 3 | 6A | 134 BPM | ||
Viderunt omnes... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 141 BPM | ||
Tastar de corde | Joan Ambrosio Dalza, Shirley Rumsey | C Minor | 0 | 5A | 82 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): After the Resurrection: Glory (Quiet) | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | F♯ Minor | 0 | 11A | 81 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Gibbons: The Silver Swan | The Tallis Scholars, Peter Phillips | E Major | 0 | 12B | 71 BPM | ||
Missa Pange Lingua: IV. Sanctus - Benedictus | Josquin des Prez, Choir of Clare College, Cambridge, Graham Ross, Alice Halstead, Catherine Clark, Laurence Booth-Clibborn, Joshua Pacey | E♭ Major | 1 | 5B | 109 BPM | ||
Première Suytte de Branles d'Escosse | Pierre Attaingnant, The King's Noyse, David Douglass | E♭ Major | 1 | 5B | 98 BPM |
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