- BPM
- 134
- Key
- F♯ Major
- Camelot
- 2B
Overture for Flute and Bassoon in G Major: III. Trio I - Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria Information
- Acousticness
- 99%
- Danceability
- 43%
- Energy
- 2%
- Instrumentalness
- 80%
- Liveness
- 12%
- Loudness
- 50%
- Speechiness
- 6%
- Valence
- 42%
- Popularity
- 3%
- Loudness
- -29.72 dB
Summary
Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria made "Overture for Flute and Bassoon in G Major: III. Trio I" available on January 1, 1997. The duration of Overture for Flute and Bassoon in G Major: III. Trio I is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Overture for Flute and Bassoon in G Major: III. Trio I's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 23 in Fasch / Graupner: Bassoon Concertos by Paolo Tognon, Pál Németh. Based on our statistics, Overture for Flute and Bassoon in G Major: III. Trio I's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Overture for Flute and Bassoon in G Major: III. Trio I BPM
The tempo marking of Overture for Flute and Bassoon in G Major: III. Trio I by Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Overture for Flute and Bassoon in G Major: III. Trio I Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sinfonia No. 4 in si minore (Morte e sepoltura di Christo): IV. Allegro assai | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | |
 | Recorder Concerto No. 9 in A Minor: II. Largo | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 1 | 1A | 126 BPM | |
 | Overture-Suite in D Major, TWV 55:D1: IV. Air 3: Presto | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D♭ Major | 3 | 3B | 118 BPM | |
 | Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | |
 | Trio Sonata in C Minor, BuxWV 262: I. Poco adagio | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | |
 | Violin Sonata in G Minor, Op. 5 No. 5: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | |
 | Overture in G Minor: VII. Rigaudon | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 154 BPM | |
 | Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM | |
 | Missa Sancti Spiritus, ZWV 4: Osanna in excelsis | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | |
 | Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5401628017425537
End: 0.5443627834320068