"Requiem in D Minor, K. 626 (Arr. for Piano 4-Hands by C. Czerny): IIIf. Sequentia: Lacrymosa" by Wolfgang Amadeus Mozart, Jürgen Appell, Kerstin Straßburg was released on February 2, 2024. The duration of Requiem in D Minor, K. 626 (Arr. for Piano 4-Hands by C. Czerny): IIIf. Sequentia: Lacrymosa is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Requiem in D Minor, K. 626 (Arr. for Piano 4-Hands by C. Czerny): IIIf. Sequentia: Lacrymosa's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Opus summum viri summi - Mozart: Requiem K. 626, Piano Version for four Hands by Carl Czerny". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. In terms of popularity, Requiem in D Minor, K. 626 (Arr. for Piano 4-Hands by C. Czerny): IIIf. Sequentia: Lacrymosa is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem in D Minor, K. 626 (Arr. for Piano 4-Hands by C. Czerny): IIIf. Sequentia: Lacrymosa by Wolfgang Amadeus Mozart, Jürgen Appell, Kerstin Straßburg having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Horn Concerto No. 1 in D Major, K. 412: I. Allegro | Wolfgang Amadeus Mozart, Claire Briggs, Royal Liverpool Philharmonic Orchestra, Malcolm Stewart, Stephen Kovacevich | C Minor | 0 | 5A | 101 BPM | ||
Davide penitente, K. 469: Si pur sempre benigno, oh Dio (Chorus) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 0 | 7A | 144 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Piano Sonata No. 14 In C Minor, K. 457: III. Allegro Assai | Jenő Jandó, Wolfgang Amadeus Mozart | C Minor | 1 | 5A | 78 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Le Nozze di Figaro (The Marriage of Figaro), K. 492: Overture | Donato Di Stefano, Natale de Carolis, Hungarian State Opera Orchestra, Patrizia Pace, Jozsef Mukk, Maria Pia Ionata, Roberto Frontali, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | D Major | 1 | 10B | 141 BPM | ||
Concerto for 2 Pianos and Orchestra (No.10) in E flat, K.365: 2. Andante | Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 82 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | D Major | 0 | 10B | 97 BPM | ||
Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM |
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