Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger made "Les Heures persanes (Persian Hours), Op. 65bis: II. La caravane (reve, pendant la sieste) (The caravan (dream, during the siesta))" available on January 1, 2007. Les Heures persanes (Persian Hours), Op. 65bis: II. La caravane (reve, pendant la sieste) (The caravan (dream, during the siesta)) is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. The track order of this song in Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger's "Koechlin: Les Heures Persanes, Op. 65Bis" album is number 2 out of 16. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Les Heures persanes (Persian Hours), Op. 65bis: II. La caravane (reve, pendant la sieste) (The caravan (dream, during the siesta))'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Les Heures persanes (Persian Hours), Op. 65bis: II. La caravane (reve, pendant la sieste) (The caravan (dream, during the siesta)) by Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Children's Album No. 1 "Pictures of Childhood": No. 5, Etude | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
2 Pieces for the Left Hand, Op. 9: No. 1. Prelude in C-Sharp Minor | Alexander Scriabin, Maria Lettberg | G Major | 3 | 9B | 141 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 21 in B Flat Major | Alexander Scriabin, Mikhail Pletnev | E♭ Major | 0 | 5B | 70 BPM | ||
Rondo capriccioso in E Major, Op. 14, MWV U67: 1. Andante | Felix Mendelssohn, Jan Lisiecki | E Major | 0 | 12B | 70 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Chanson de Ronsard, H. 54 (Arr. for Flute & Piano) | Arthur Honegger, Junko Teramoto, Kozue Takagi | F Major | 0 | 7B | 71 BPM | ||
Rondo Capriccioso In e Minor Opus 14 | Felix Mendelssohn, Bertrand Chamayou | E Major | 1 | 12B | 182 BPM |
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