"Quatre poèmes d’après l’intermezzo d’Heinrich Heine: Ceux qui, parmi les morts d’amour" by Guy Ropartz, Heinrich Heine, Philippe Sly, Michael McMahon was released on September 4, 2012. The duration of Quatre poèmes d’après l’intermezzo d’Heinrich Heine: Ceux qui, parmi les morts d’amour is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Quatre poèmes d’après l’intermezzo d’Heinrich Heine: Ceux qui, parmi les morts d’amour's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Philippe Sly, Michael McMahon's "In Dreams" album is number 23 out of 28. Quatre poèmes d’après l’intermezzo d’Heinrich Heine: Ceux qui, parmi les morts d’amour is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quatre poèmes d’après l’intermezzo d’Heinrich Heine: Ceux qui, parmi les morts d’amour by Guy Ropartz, Heinrich Heine, Philippe Sly, Michael McMahon to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Épitaphe de Jean Harlow, Op. 164 | Charles Koechlin, Tatjana Ruhland, Yaara Tal, Libor Šíma | E♭ Major | 1 | 5B | 73 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
String Quartet N 20 Mov 1 Mazurka Version Musescore 4 | Luca Schettino | B Major | 1 | 1B | 113 BPM | ||
Trois petites pièces: Chanson | Augusta Holmès, Juliette Hurel, Hélène Couvert | D Major | 0 | 10B | 70 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Premiès et secondes Vêpres des Saintes Femmes: VII. Manum suam aperuit inopini - Coda | Guy Ropartz, Markus Eichenlaub | C Major | 0 | 8B | 0 BPM | ||
Andante Et Allegro | Kari Karjalainen, Kalevi Kiviniemi, Guy Ropartz | C Minor | 2 | 5A | 179 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Isata Kanneh-Mason | C Minor | 1 | 5A | 69 BPM | ||
A Child of our Time, Part III: Preludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM |
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