Pyotr Ilyich Tchaikovsky, Isaac Stern, Milton Katims, Columbia Symphony Orchestra made "6 Romances, Op. 6: No. 6, Net Tol'Ka Tot Kto Znal "None but the Lonely Heart" [Arranged for Violin & Orchestra]" available on 1963. The duration of 6 Romances, Op. 6: No. 6, Net Tol'Ka Tot Kto Znal "None but the Lonely Heart" [Arranged for Violin & Orchestra] is about 3 minutes long, at 3:17. Based on our data, "6 Romances, Op. 6: No. 6, Net Tol'Ka Tot Kto Znal "None but the Lonely Heart" [Arranged for Violin & Orchestra]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Isaac Stern's "Humoresque: Favorite Violin Encores" album is number 2 out of 20. On top of that, United States appears to be the country where this track was created. 6 Romances, Op. 6: No. 6, Net Tol'Ka Tot Kto Znal "None but the Lonely Heart" [Arranged for Violin & Orchestra] is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of 6 Romances, Op. 6: No. 6, Net Tol'Ka Tot Kto Znal "None but the Lonely Heart" [Arranged for Violin & Orchestra] by Pyotr Ilyich Tchaikovsky, Isaac Stern, Milton Katims, Columbia Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Liebesfreud | Fritz Kreisler, Joshua Bell, Paul Coker | F Major | 1 | 7B | 99 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Masquerade - Ballet Suite: 1. Waltz | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 3 | 8B | 100 BPM | ||
Nocturne No. 2 In E Flat, Op. 9 No. 2 | Frédéric Chopin, Maurizio Pollini | B♭ Major | 0 | 6B | 133 BPM | ||
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
Sonata for Violin and Guitar in A Minor, Op. 2, No. 6, MS 26: Tempo di Walzer | Niccolò Paganini, Scott St. John, Simon Wynberg | A Minor | 2 | 8A | 147 BPM |
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