"Francesca da Rimini, Op. 4, Act II, Scene 8: O sciagura! sciagura! (Francesca, Gianciotto, Malatestino, Chorus)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Philippe Roillon, Kenneth Riegel, Kammerchor Sofia was released on 1994. The duration of Francesca da Rimini, Op. 4, Act II, Scene 8: O sciagura! sciagura! (Francesca, Gianciotto, Malatestino, Chorus) is about 3 minutes long, at 3:14. Based on our data, "Francesca da Rimini, Op. 4, Act II, Scene 8: O sciagura! sciagura! (Francesca, Gianciotto, Malatestino, Chorus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #23 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act II, Scene 8: O sciagura! sciagura! (Francesca, Gianciotto, Malatestino, Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act II, Scene 8: O sciagura! sciagura! (Francesca, Gianciotto, Malatestino, Chorus) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Philippe Roillon, Kenneth Riegel, Kammerchor Sofia has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Francesca da Rimini, Op. 4, Act II, Scene 8: O sciagura! sciagura! (Francesca, Gianciotto, Malatestino, Chorus) being at 74 BPM, the half-time would be 37 BPM with a double-time of 148 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suor Angelica: Ho un desiderio anch'io! | Giacomo Puccini, Della Jones, Isobel Buchanan, Dame Joan Sutherland, Miriam Bowen, Janet Price, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 114 BPM | ||
Puccini: Il tabarro: "To! guarda la mia vecchia!" (Il Talpa, La Frugola, Michele, Luigi, Il Tinca) | Giacomo Puccini, Carlo Guelfi/Neil Shicoff/Riccardo Cassinelli/Enrico Fissore/Elena Zilio/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | C Major | 1 | 8B | 174 BPM | ||
La Gioconda: Act III Scene 5: O madre mia, nell'isola fatale (Gioconda) | Amilcare Ponchielli, Andrea Gruber, Marco Berti, Alberto Mastromarino, Carlo Colombara, Ildiko Komlosi, Elisabetta Fiorillo, Francesco Palmieri, Graziano Polidori, Mauro Buffoli, Giovanni Bellavia, Dario Benini, Alessandro Calamai, Coro Dell'Arena Di Verona, Arena of Verona Orchestra, Donato Renzetti | F Major | 2 | 7B | 128 BPM | ||
Otello: Oh Dio! Qual mal strepito è questo! | Gioachino Rossini, Hera Hyesang Park, Emily D'Angelo, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Andrea Chénier: Come un bel dì di maggio | Umberto Giordano, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | F♯ Minor | 2 | 11A | 91 BPM | ||
Pagliacci: Act I: Nedda!...Silvio! A quest'ora che imprudenza! (Nedda, Silvio) | Ruggero Leoncavallo, Victoria de los Ángeles, Jussi Björling, George Cehanovsky, Paul Franke, Leonard Warren, Richard Wright, Robert Merrill, Columbus Boychoir, Robert Shaw Chorale, RCA Victor Orchestra, Renato Cellini | C Major | 2 | 8B | 86 BPM | ||
Rossini: Messa di Gloria: IX. Qui sedes ad dexteram Patris | Gioacchino Rossini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Michael Spyres | F Major | 3 | 7B | 140 BPM | ||
Tacea la Notte Placida (Il Trovatore) | Renata Tebaldi, Orchestre de la Suisse Romande | D Major | 3 | 10B | 85 BPM | ||
Lucia di Lammermoor, Act I: Il tuo dubbio | Gaetano Donizetti, Coro del Teatro Carlo Felice di Genova, Didier Pieri, Stefano Antonucci, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | B♭ Major | 2 | 6B | 71 BPM | ||
Andrea Chénier / Act 1: Soffoco, moro tutta chiusa | Umberto Giordano, Hugues Cuénod, Montserrat Caballé, Kathleen Kuhlmann, Astrid Varnay, Florindo Andreolli, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 110 BPM |
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