Jean-Baptiste Lully, Collegium Vocale Gent, Philippe Herreweghe, Guillemette Laurens, La Chapelle Royale's 'Armide: Act V, Scene 5: Armide : "Traître, attends, je le tiens, je tiens son cœur perfide"' came out on 1993. The duration of Armide: Act V, Scene 5: Armide : "Traître, attends, je le tiens, je tiens son cœur perfide" is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Armide: Act V, Scene 5: Armide : "Traître, attends, je le tiens, je tiens son cœur perfide"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent's "Lully: Armide" album is number 18 out of 39. In terms of popularity, Armide: Act V, Scene 5: Armide : "Traître, attends, je le tiens, je tiens son cœur perfide" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Armide: Act V, Scene 5: Armide : "Traître, attends, je le tiens, je tiens son cœur perfide" by Jean-Baptiste Lully, Collegium Vocale Gent, Philippe Herreweghe, Guillemette Laurens, La Chapelle Royale to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Le Bourgeois Gentilhomme: 1er menuet | Jean-Baptiste Lully, La Simphonie Du Marais, Hugo Reyne, Renaud Tripathi, Francois-Nicolas Geslot | A Major | 2 | 11B | 69 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Violin Concerto in E Major, D. 50: I. Allegro | Giuseppe Tartini, Ariadne Daskalakis, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Major | 1 | 12B | 78 BPM | ||
Flute Sonata in E Minor: I. Grave | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 83 BPM | ||
Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 102 BPM | ||
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 1. (Allegro giusto) | Antonio Vivaldi, Tom Finucane, New London Consort, Philip Pickett | D♭ Major | 0 | 3B | 111 BPM | ||
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 99 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 104 BPM |
Section: 0.5671544075012207
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