Broadway Cast Recording made "I've Come To Wive It Wealthily In Padua" available on January 25, 2000. The duration of I've Come To Wive It Wealthily In Padua is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. I've Come To Wive It Wealthily In Padua's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Broadway Cast Recording's "Kiss Me Kate - Music By Cole Porter" album is number 7 out of 20. On top of that, United States appears to be the country where this track was created. Based on our statistics, I've Come To Wive It Wealthily In Padua's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of I've Come To Wive It Wealthily In Padua by Broadway Cast Recording to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Love Is Always Lovely in the End | 'The Drowsy Chaperone' Original Broadway Cast | C Minor | 2 | 5A | 58 BPM | ||
1776: He Plays the Violin | Sherman Edwards, Betty Buckley, Rex Everhart, William Daniels, Peter Howard | C Minor | 3 | 5A | 68 BPM | ||
Grand Knowing You | Gavin Creel | A Minor | 4 | 8A | 121 BPM | ||
I've Come To Wive It Wealthily In Padua | Broadway Cast Recording | B♭ Major | 5 | 6B | 109 BPM | ||
Tomorrow Belongs to Me (Reprise) | Michele Pawk, Denis O'Hare, Cabaret Ensemble (1998) | B♭ Major | 2 | 6B | 111 BPM | ||
Razzle Dazzle | James Naughton | D♭ Major | 1 | 3B | 112 BPM | ||
The Fire Within Me | Mindi Dickstein, Jason Howland, 'Little Women' Original Broadway Cast | C Major | 2 | 8B | 78 BPM | ||
Dames | Lee Roy Reams, 42nd Street Ensemble | B♭ Major | 3 | 6B | 177 BPM | ||
Magic to Do | Patina Miller, The Players | A Major | 6 | 11B | 125 BPM | ||
Song on the Sand | Kelsey Grammer, Douglas Hodge | F♯ Major | 1 | 2B | 86 BPM |
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