Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 - Pyotr Ilyich Tchaikovsky, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia Information

Acousticness: 91%
Danceability: 20%
Energy: 20%
Instrumentalness: 72%
Liveness: 13%
Loudness: 69%
Speechiness: 5%
Valence: 8%
Popularity: 4%
Loudness: -18.47 dB

Summary

"Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49" by Pyotr Ilyich Tchaikovsky, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia was released on November 3, 2006. Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Tchaikovsky: Overtures & Fantasies". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 BPM

With Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 by Pyotr Ilyich Tchaikovsky, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 Key

This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	C Minor	0	5A	77 BPM
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II)	Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan	C Major	1	8B	75 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
Rhapsodie Orientale, Op. 29: 1. Andante	Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit	D♭ Major	0	3B	89 BPM
Romeo and Juliet, Fantasy Overture	Symphony Elegant	B Minor	0	10A	69 BPM
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights	Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	C Major	1	8B	73 BPM
Symphony No. 10 in E Minor, Op. 93: II. Allegro	Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	B♭ Minor	6	3A	89 BPM
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto	Johannes Brahms, David Zinman	C Minor	0	5A	173 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	D Major	0	10B	176 BPM
Waltz in C-sharp minor, Op. 64 No. 2	Frédéric Chopin, Khatia Buniatishvili	D♭ Minor	0	12A	96 BPM

ISRC: GBAYC0502729
Label: L-M Records/RCA Records

Section: 0.6586241722106934

End: 0.6639358997344971