Juan Gutiérrez de Padilla, Andrew Lawrence-King, The Harp Consort made "Missa Ego flos campi: Gloria" available on 2002. The duration of Missa Ego flos campi: Gloria is about 3 minutes long, at 3:25. Based on our data, "Missa Ego flos campi: Gloria" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Andrew Lawrence-King, The Harp Consort's "Missa Mexicana" album is number 5 out of 16. On top of that, United States appears to be the country where this track was created. In terms of popularity, Missa Ego flos campi: Gloria is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Missa Ego flos campi: Gloria by Juan Gutiérrez de Padilla, Andrew Lawrence-King, The Harp Consort to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Qui confidunt | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A Minor | 1 | 8A | 82 BPM | ||
Sestina, prima parte: "Incenerite spoglie" | Claudio Monteverdi, La Chapelle Vocale de l'Université de Lausanne, Jean-Christophe Aubert | B♭ Minor | 1 | 3A | 69 BPM | ||
Kyrie Missa | Gregorian Chants, Cantori Gregoriani, Gregorian Chant | A♭ Major | 1 | 4B | 133 BPM | ||
Celeste beneficium - Audiutorium nostrum | Jean Mouton, Capilla Flamenca, Patrick Denecker | F Major | 2 | 7B | 132 BPM | ||
Quatre petites prières de Saint François d’ Assise: II. Tout Puissant, très saint | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Palestrina: Assumpta Est Maria in Caelum - 6. Quia Hodie Maria Virgo Cum Christo 2 | The Tallis Scholars, Peter Phillips | F♯ Minor | 2 | 11A | 78 BPM | ||
Igno soave | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 99 BPM | ||
Miserere: VII. Redde mihi laetitiam ; Docebo iniquos vias tuas - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 0 | 10A | 86 BPM | ||
Che chos'è quest'amor | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 75 BPM |
Section: 0.8455438613891602
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