"Requiem : Dies Irae" by Herva Nelli, Fedora Barbieri, Cesare Siepi, Giuseppe Di Stefano was released on October 1, 2012. The duration of Requiem : Dies Irae is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Requiem : Dies Irae's duration is considered a little bit shorter than the average duration of a typical track. The song is number 53 out of 62 in Classical... the Best of Bach, Beethoven, Brahms, Chopin, Handel, Haydn, Mozart, Schubert, Tchaikovsky, Verdi Vol. 5 by Various Artists. Requiem : Dies Irae is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem : Dies Irae by Herva Nelli, Fedora Barbieri, Cesare Siepi, Giuseppe Di Stefano is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Villi: Act I - Presto! Presto in viaggio!... Angiol di Dio | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | G Minor | 2 | 6A | 127 BPM | ||
Stabat Mater, Op. 58, B. 71: V. Tui nati vulnerati. Andante con moto quasi allegretto | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav Brych | G Major | 0 | 9B | 88 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
La Boheme, dritter Akt: Mimi ! | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Messa da Requiem: IIIa. Domine Jesu Christe (Live) | Giuseppe Verdi, Herva Nelli, Claramae Turner, Richard Tucker, Jerome Hines, New York Philharmonic, Guido Cantelli | C Minor | 3 | 5A | 104 BPM | ||
L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
Ciel! Mio padre! (Aida) | Giuseppe Valdengo, Herva Nelli, Arturo Toscanini, NBC Symphony Orchestra | D♭ Major | 2 | 3B | 97 BPM | ||
Requiem: II.f Rex tremendae | Arturo Toscanini, Herva Nelli, Fedora Barbieri, Giuseppe Di Stefano, Cesare Siepi | D♭ Major | 2 | 3B | 85 BPM | ||
Lucia di Lammermoor, Act II: Piange la madre estinta | Gaetano Donizetti, Stefano Antonucci, Zuzana Markova, Marcello Nardis, Mariano Buccino, Carlotta Vichi, Andrea Bocelli, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 5 | 10B | 78 BPM | ||
Il Pirata, Act I: Ebben; cominci, o barbara | Vincenzo Bellini, Felice Romani, Javier Camarena, Marina Rebeka, Franco Vassallo, Gustavo de Gennaro, Antonio Di Matteo, Sonia Fortunato, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM |
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