"Ciel! Mio padre! (Aida)" by Giuseppe Valdengo, Herva Nelli, Arturo Toscanini, NBC Symphony Orchestra was released on May 6, 2007. Since Ciel! Mio padre! (Aida) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Giuseppe Valdengo's "Lebendige Vergangenheit - Giuseppe Valdengo (Vol.2)" album is number 7 out of 16. On top of that, Austria appears to be the country where this track was created. In terms of popularity, Ciel! Mio padre! (Aida) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ciel! Mio padre! (Aida) by Giuseppe Valdengo, Herva Nelli, Arturo Toscanini, NBC Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'italiana in Algeri: Atto I. Cavatina. Cruda sorte! | Gioachino Rossini, Vasilisa Berzhanskaya, La Cetra Vokalensemble Basel, Orchestra Of The 18th Century, Giancarlo Andretta | F Major | 2 | 7B | 131 BPM | ||
Die Fledermaus / Act 1: "Täubchen, das entflattert ist" | Johann Strauss II, Richard Leech, Wiener Philharmoniker, André Previn | C Major | 1 | 8B | 65 BPM | ||
Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM | ||
Le Comte Ory / Act 1: Introduction - "Jouvenelles, venez vite" | Gioachino Rossini, Bruno Pratico, Rosella Bevacqua, Marina de Liso, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
Le Nozze di Figaro: Atto III - Hai Già Vinta Causa! Cosa Sento! | Giuseppe Valdengo | D Major | 4 | 10B | 89 BPM | ||
Las Golondrinas, Escena 1ª, II parte: "Niña loca" | Coro del Gran Teatro Lírico de Bacelona | E♭ Major | 2 | 5B | 129 BPM | ||
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM | ||
Francesca da Rimini, Op. 4: Paolo datemi pace! | Riccardo Zandonai, Vida Miknevičiūtė, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | D Major | 1 | 10B | 93 BPM | ||
Las Golondrinas: "Final, Se marcha" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Carmen, WD 31 / Act 4: C'est toi, c'est-moi! | Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | E Major | 3 | 12B | 125 BPM |
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