"Préludes, Livre 1, L. 117: No. 8, La fille aux cheveux de lin (Transcr. Y. Kondonassis)" by Claude Debussy, Yolanda Kondonassis was released on November 25, 2003. The duration of Préludes, Livre 1, L. 117: No. 8, La fille aux cheveux de lin (Transcr. Y. Kondonassis) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Préludes, Livre 1, L. 117: No. 8, La fille aux cheveux de lin (Transcr. Y. Kondonassis)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 11 in Debussy's Harp by Claude Debussy, Yolanda Kondonassis. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Préludes, Livre 1, L. 117: No. 8, La fille aux cheveux de lin (Transcr. Y. Kondonassis) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Préludes, Livre 1, L. 117: No. 8, La fille aux cheveux de lin (Transcr. Y. Kondonassis) by Claude Debussy, Yolanda Kondonassis is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Pieces, Op. 51: Valse Sentimentale, Op. 51, No. 6 | Pyotr Ilyich Tchaikovsky, Juan Francisco Otón | F Minor | 0 | 4A | 69 BPM | ||
Milonga para mi tierra | Maximo Diego Pujol, Yolanda Kondonassis | B♭ Minor | 0 | 3A | 130 BPM | ||
Gondellied in A Major, MWV U136 | Felix Mendelssohn, Howard Shelley | E Major | 0 | 12B | 97 BPM | ||
Prélude, Op. 57 No. 1 | Anatoly Lyadov, Yoko Kikuchi | D♭ Major | 0 | 3B | 88 BPM | ||
5 Pezzi facili: No. 1. La passeggiata de Puccettino | Nino Rota, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 101 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Three Welsh Dances: No. 3, Allegro assai | Dalwyn Henshall, Catrin Finch | A Major | 9 | 11B | 90 BPM | ||
Songs Without Words, Book 6, Op. 67: 1. Meditation, MWV U 180 (Transcr. Y. Kondonassis) | Felix Mendelssohn, Yolanda Kondonassis | E♭ Major | 0 | 5B | 107 BPM | ||
Symphony No. 4 in F Minor, Op. 36, TH 27: III. Scherzo. Pizzicato ostinato - Allegro | Pyotr Ilyich Tchaikovsky, Baltimore Symphony Orchestra, David Zinman | A Minor | 0 | 8A | 143 BPM | ||
Syrinx, CD 137 (Version for Oboe d'amore) | Claude Debussy, Heinz Holliger | F Major | 0 | 7B | 79 BPM |
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